Wednesday, October 31, 2012
Tuesday, October 30, 2012
Wednesday, October 17, 2012
سلبت ليلى - فرقة ابن عربي للإنشاد الصوفي
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سلبت ليلى
مني العقلا
قلت يا ليلى
ارحمي القتلا
حبها مكنون
في الحشى مخزون
أيها المفتون
هم بهــــا ذلا
إنني هائم
و لها خادم
أيها اللائم
خليني مهلا
لزمت العتاب
وطرقت الباب
قلت للبواب
هل ترى وصلا؟
قال لي يا صاح
مهرها الأرواح
كم محب راح
يعشق القتلى
أيها العاشق
إن تكن صادق
للسوى فارق
تغتنم وصلا
تيمنا بالعارف الأكبر الشيخ محيي الدين ابن العربي أسس الفنان و الإذاعي المغربي أحمد الخليع الفرقة المغربية المتخصصة في الإنشاد الصوفي فرقة ابن عربي عام 1993 في مدينة طنجة شمال المغرب لتلعب دورا كبيرا منذ نشأتها في تجميع تراث الغناء الصوفي في هذه المنطقة الثرية بشمال المغرب، والتي تنتشر فيها الزوايا التي حافظت على هذا الإرث الثري وتداولته عبر مئات السنين، وتقدم أشعار الحب الإلهي لكبار المتصوفة أمثال ابن عربي، عمر بن الفارض، رابعة العدوية والشستري وسيدي محمد الحراق العارف المغربي.
Uploaded by annos2008 on May 17, 2011
تيمنا بالعارف الأكبر الشيخ محيي الدين ابن العربي أسس الفنان و الإذاعي المغربي أحمد الخليع الفرقة المغربية المتخصصة في الإنشاد الصوفي فرقة ابن عربي عام 1993 في مدينة طنجة شمال المغرب لتلعب دورا كبيرا منذ نشأتها في تجميع تراث الغناء الصوفي في هذه المنطقة الثرية بشمال المغرب، والتي تنتشر فيها الزوايا التي حافظت على هذا الإرث الثري وتداولته عبر مئات السنين، وتقدم أشعار الحب الإلهي لكبار المتصوفة أمثال ابن عربي، عمر بن الفارض، رابعة العدوية والشستري وسيدي محمد الحراق العارف المغربي.
Ibn Arabî - Amour est mon credo ابن عربي: الحب ديني Amina Aloui
ز
أدين بدين الحب
لقد صار قلبي قابلا كل صورة
فمرعى لغزلان و دير لرهبان
و بيت لاوثان و كعبة طائف
و الواح توراة و مصحف قرآن
ادين بدين الحب اني توجهت ركائبه
الحب ديني و ايماني
Interprétation: Amina Aloui
Ibn Arabi (1165-1240) est théologien, juriste, poète, métaphysicien et maître arabe-andalous du taçawuff (mysticisme), sans doute le plus grand maître de la spiritualité islamique. Il est le premier philosophe musulman à formaliser la tradition soufie. Son œuvre comptant 846 ouvrages aurait influencé Dante.
Ibn Arabî ne se soumet à aucun dogme, en matière religieuse. Ce mystique hors pair voit dans les doctrines religieuses et la variété des croyances des murs destinés à freiner la soif humaine du Divin.
Pour cet adepte du monisme existentiel, il n'y a qu'une seule réalité ontologique derrière toutes les manifestations de l'universel: l'Amour.
أدين بدين الحب
لقد صار قلبي قابلا كل صورة
فمرعى لغزلان و دير لرهبان
و بيت لاوثان و كعبة طائف
و الواح توراة و مصحف قرآن
ادين بدين الحب اني توجهت ركائبه
الحب ديني و ايماني
------ ابن عربي
Uploaded by webamri on Feb 5, 2012
Interprétation: Amina Aloui
Ibn Arabi (1165-1240) est théologien, juriste, poète, métaphysicien et maître arabe-andalous du taçawuff (mysticisme), sans doute le plus grand maître de la spiritualité islamique. Il est le premier philosophe musulman à formaliser la tradition soufie. Son œuvre comptant 846 ouvrages aurait influencé Dante.
Ibn Arabî ne se soumet à aucun dogme, en matière religieuse. Ce mystique hors pair voit dans les doctrines religieuses et la variété des croyances des murs destinés à freiner la soif humaine du Divin.
Pour cet adepte du monisme existentiel, il n'y a qu'une seule réalité ontologique derrière toutes les manifestations de l'universel: l'Amour.
Ensemble morkos- هل على الأستارهتك @Robabikia #روبابيكيا
هل على الأستار هتك يا أهيل الحي
حق لي و الله أشكو مذ براني العيي
و الهوى هتك و فتك و التجافي كي
فآرحموا العشاق و آبكوا قد جفتني مي
هل لكم علم بحالي معشر العشاق
زاد شوقي و هزالي زادني أشواق
Tuesday, October 16, 2012
تاج راسي اصيل ابو بكر
ياتاج راسي وياقلبي وياعيني ...
ماعاش منهو يكدر خاطرك ساعه ..
ماحس بالناس كلها لو تجافيني ..
إلا ابتعادك ياعمري خاطري لاعة ..
يالغالية لك وداد في شرايني..
بوسط قلبي ابد ماسامة وباعة ..
حبك حياتي وعمري وأجمل سنيني ..
وانتي مثل نجمة بالكون لماعة..
منى الخطايا ومنك الصفح ياتيني ..
نفسي لوصلك وقربك دوم طماعة..
ياعمة الحسن كلة لا تخليني ..
وأنا بأ مرك أ قول السمع والطاعة ..
وأنا بدونك جفاف الكون يكسيني..
وأحس وصلك مطر عمري ومر باعة ..
لاصبح يشرق علي لا ليل يضويني..
إ ذ ازعلتي علي لوربع ساعة ...
Friday, October 12, 2012
Monday, October 8, 2012
Sunday, October 7, 2012
Friday, October 5, 2012
Omar Faruk Tekbilek - Your Love Is My Cure!
ز
A masterpiece from the Album "Omar Faruk Tekbilek & Brian Keane - Beyond The Sky" (1992). Listen & Enjoy it.
This is the instrumental version of a famous turkish folk song with following lyrics:
"Odam kireç tutmuyor
Kumunu katmayınca
Sevda baştan gitmiyor
Sarılıp yatmayınca
Odam kireçtir benim
Yüzüm güleçtir benim
Soyunda gir koynuma
Tenim ilaçtır benim
Baba ben ölmüşmiyem
Kürkümü geymişmiyem
Ben sevdim eller aldı
Niye ben ölmüşmiyem"
Omar Faruk Tekbilek had been studying Sufism, the mystical branch of Islam, with the thought of becoming a Sufi cleric. At 15, he quit school to become a professional musician. "But I never quit studying, though," he maintains. "In fact, I am still studying; it's endless. Music for me is not something to show off. It's my life. It's the shortest path to God. Playing is prayer for me." He went to Istanbul and at the age of 17 met the Mevlevi Dervishes, the ancient Sufi order of Turkey. He did not join the order, but felt profoundly influenced by their mystical approach to sound and to the spirit. Another, almost equally mystical influence would soon appear, from an unlikely source. The young Tekbilek became friend with flute and saxophone player named Ismet Siral, who had some unusual ideas about music theory. "He would say things like, let's play for birds, let's play for pictures." OFT says about Burhan Tonguch, his rhythm teacher: "He put the idea in my mind that everything is a rhythmic instrument. And everyone is a percussionist. Without the strike, there is no sound."
Despite, or perhaps because of, this unconventional outlook, Faruk's skills were much in demand in the studios of Istanbul, and in 1971, at the age of 20, made his first brief tour of the United States with a Turkish classical/folk ensemble. The Tree of Patience was about to put out an unexpected limb. "I try to play a song the way it's supposed to be," Faruk explains. "If I play an Arabic song, I use an Arabic style; if I play a Turkish song, I use a Turkish style."
Faruk feels a strong affinity for Arabic music, which differs in several important ways from the Turkish tradition. As a child he spent a lot of time listening to Radio Kairo and became acquainted with the giant musicians of that time like Umm Kulthum, Abdul Wahab, Abdl Halim Hafez, Farid al-Atraš, Fairuz, Sabah Fakhri. Because he was playing the flute he was inspired by the melodies and the sound of ney (nay). He was also inspired by Sheikh Abdul Basit 'Abd us-Samad recitations of the holy Qur'an whom his father was listening a lot.
Faruk pauses, considers, and then admits, "Sometimes I can't keep myself from making a bridge between them. I just try to listen to the song; it will tell me what it wants to be." The process of creating his own songs is similar: "There is no set formula or method", he says. "Each song comes out in a different way."
Btw: The grandfather of Faruk's mother is originated from Egypt, so if you want Faruk is "Egyptian in 3rd generation". But much more he is Turkish. ;-)
Uploaded by tiad on May 24, 2009
A masterpiece from the Album "Omar Faruk Tekbilek & Brian Keane - Beyond The Sky" (1992). Listen & Enjoy it.
This is the instrumental version of a famous turkish folk song with following lyrics:
"Odam kireç tutmuyor
Kumunu katmayınca
Sevda baştan gitmiyor
Sarılıp yatmayınca
Odam kireçtir benim
Yüzüm güleçtir benim
Soyunda gir koynuma
Tenim ilaçtır benim
Baba ben ölmüşmiyem
Kürkümü geymişmiyem
Ben sevdim eller aldı
Niye ben ölmüşmiyem"
Omar Faruk Tekbilek had been studying Sufism, the mystical branch of Islam, with the thought of becoming a Sufi cleric. At 15, he quit school to become a professional musician. "But I never quit studying, though," he maintains. "In fact, I am still studying; it's endless. Music for me is not something to show off. It's my life. It's the shortest path to God. Playing is prayer for me." He went to Istanbul and at the age of 17 met the Mevlevi Dervishes, the ancient Sufi order of Turkey. He did not join the order, but felt profoundly influenced by their mystical approach to sound and to the spirit. Another, almost equally mystical influence would soon appear, from an unlikely source. The young Tekbilek became friend with flute and saxophone player named Ismet Siral, who had some unusual ideas about music theory. "He would say things like, let's play for birds, let's play for pictures." OFT says about Burhan Tonguch, his rhythm teacher: "He put the idea in my mind that everything is a rhythmic instrument. And everyone is a percussionist. Without the strike, there is no sound."
Despite, or perhaps because of, this unconventional outlook, Faruk's skills were much in demand in the studios of Istanbul, and in 1971, at the age of 20, made his first brief tour of the United States with a Turkish classical/folk ensemble. The Tree of Patience was about to put out an unexpected limb. "I try to play a song the way it's supposed to be," Faruk explains. "If I play an Arabic song, I use an Arabic style; if I play a Turkish song, I use a Turkish style."
Faruk feels a strong affinity for Arabic music, which differs in several important ways from the Turkish tradition. As a child he spent a lot of time listening to Radio Kairo and became acquainted with the giant musicians of that time like Umm Kulthum, Abdul Wahab, Abdl Halim Hafez, Farid al-Atraš, Fairuz, Sabah Fakhri. Because he was playing the flute he was inspired by the melodies and the sound of ney (nay). He was also inspired by Sheikh Abdul Basit 'Abd us-Samad recitations of the holy Qur'an whom his father was listening a lot.
Faruk pauses, considers, and then admits, "Sometimes I can't keep myself from making a bridge between them. I just try to listen to the song; it will tell me what it wants to be." The process of creating his own songs is similar: "There is no set formula or method", he says. "Each song comes out in a different way."
Btw: The grandfather of Faruk's mother is originated from Egypt, so if you want Faruk is "Egyptian in 3rd generation". But much more he is Turkish. ;-)
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